ID de tableau:: 659
Judith with the Head of Holofernes Judith avec la Tête de Holofernes 1530
Art History Museum, Vienna 1530 Le Musée d-Histoire d-art, Vienne 1472-1553
German
Lucas Cranach Locations
ID de tableau:: 3800
Judith with the Head of Holofernes Judith avec la Tête de Holofernes Art History Museum, Vienna Le Musée dHistoire dArt, Vienne 1657-1747
Italian
Francesco Solimena Gallery
ID de tableau:: 28972
Judith with the Head of Holofernes Judith avec la Tête de Holofernes mk65
Panel
35 7/16x27 15/16in
Uffizi
mk65 Panneau 35 7/16x27 15/16in Uffizi 1480-1528
Italian
Palma Vecchio Gallery
ID de tableau:: 29956
Judith with the Head of Holofernes Judith avec la Tête de Holofernes mk67
Oil on canvas
54 3/4x45 11/16in
Pitti,Palatine Gallery
mk67 Pétrole sur lecanevas 54 3/4x 45 11/16in Pitti, la Galerie de Palatine Italian Baroque Era Painter, 1577-1621
ID de tableau:: 30015
Judith with the Head of Holofernes Judith avec la Tête de Holofernes mk67
Oil on canvas
44 1/2x35in
Uffizi,Gallery
mk67 Pétrole sur le canevas 44 1/2x35in Uffizi, la Galerie Flemish Baroque Era Painter, 1577-1640
ID de tableau:: 33577
Judith with the Head of Holofernes Judith avec la Tête de Holofernes mk86
1613
Oil on canvas
139x116cm
Florence,Galleria Pitti
mk86 1613 Huilent sur le canevas 139x116cm Florence, Galleria Pitti Italian Baroque Era Painter, 1577-1621
ID de tableau:: 40412
Judith with the Head of Holofernes Judith avec la Tête de Holofernes mk156
c.1613
Oil on canvas
120.4x100.3cm
mk156 c. 1613 Pétrole sur le canevas 120.4x100.3cm Italian Baroque Era Painter, 1577-1621
ID de tableau:: 58191
Judith with the Head of Holofernes Judith with the Head of Holofernes (1613)
Oil on canvas, 139 x 116 cm.
Galleria Palatina (Palazzo Pitti, ', ', ', ', ', ', ', '), Florence. Italian Baroque Era Painter, 1577-1621
(1578 - 1630) was an Italian Renaissance painter, a pioneer of the still life genre.
Fede Gallizi, better known as Galizia, was born in Milan in 1578. Her father, Nunzio Galizia, also a painter of miniatures, had moved to Milan from Trento. Fede (whose name means "faith") learned to paint from him. By the age of twelve, she was sufficiently accomplished as an artist to be mentioned by Gian Paolo Lomazzo, a painter and art theorist friend of her father, who wrote, "This girl dedicates herself to imitate our most extraordinary art."
At a young age, Fede was already an established portrait painter handling many commissioned works. Perhaps it was her father's influence as a miniaturist that led to Fede's attention to detail in her portraits. Her treatment of jewels and clothing made her a very desirable portrait painter. She was often commissioned to paint religious and secular themes as well. Several of her paintings based on the deuterocanonical story of Judith and Holofernes, a popular theme in art of the period, survive in private collections. Perhaps her earliest was Judith and Her Handmaiden painted in 1596 which is now in Sarasota Florida at the Ringling Museum of Art. She also created miniatures and altarpieces for convents.
ID de tableau:: 58922
Judith with the Head of Holofernes Judith with the Head of Holofernes (1596). The figure of Judith is believed to be a self-portrait. (1578 - 1630) was an Italian Renaissance painter, a pioneer of the still life genre.
Fede Gallizi, better known as Galizia, was born in Milan in 1578. Her father, Nunzio Galizia, also a painter of miniatures, had moved to Milan from Trento. Fede (whose name means "faith") learned to paint from him. By the age of twelve, she was sufficiently accomplished as an artist to be mentioned by Gian Paolo Lomazzo, a painter and art theorist friend of her father, who wrote, "This girl dedicates herself to imitate our most extraordinary art."
At a young age, Fede was already an established portrait painter handling many commissioned works. Perhaps it was her father's influence as a miniaturist that led to Fede's attention to detail in her portraits. Her treatment of jewels and clothing made her a very desirable portrait painter. She was often commissioned to paint religious and secular themes as well. Several of her paintings based on the deuterocanonical story of Judith and Holofernes, a popular theme in art of the period, survive in private collections. Perhaps her earliest was Judith and Her Handmaiden painted in 1596 which is now in Sarasota Florida at the Ringling Museum of Art. She also created miniatures and altarpieces for convents.
ID de tableau:: 62382
Judith with the Head of Holofernes 61,3 x 48 cm Berkeley Art Museum, University of California Cavaliere d'Arpino's (Giulio Cesari's) Judith with the Head of Holofernes symbolically alludes to the violent decapitation of the Assyrian general without showing the gruesome moment that both Caravaggio and Artemisia Gentileschi chose to depict. Instead a beautiful, almost demure, Judith raises Holofernes' head by his locks as her maidservant Abra looks on in puzzled reverence. Cavaliere d'Arpino's Judith is the embodiment of female virtue and moral perfection, an ideal heroine who has redeemed her people. Yet, at the same time, she seems capable of exercising her seductive powers directly upon the viewer, as if the beholder were Holofernes. She is in possession of two dangerous weapons, her sword and her sexual allure. In 1602-03 Cavaliere d'Arpino had frescoed a series of Old Testament heroines in the Villa Aldobrandini at Frascati. There he depicted Judith as a full-length figure striding across the plain in front of the enemy encampment while Abra follows behind stuffing Holofernes' head into a sack. Topologically the figures are very similar, but in the easel painting Cavaliere d'Arpino condensed the composition so that the picture essentially becomes an idealised 'portrait' of Judith. In this sense it is very close to his Diana (Pinacoteca Capitolina, Rome), in which the huntress is also reduced to a half-length idealised figure. In both these 'portraits' there is an emphasis on the decorative effects of colour and design. The brilliant reds, blues and whites of Judith's costume serve as a foil for the carefully delineated jewels and golden sword hilt. Baglione emphasised that Cavaliere d'Arpino was capable of working in two different styles, one of which was far more superficial than the other. It is likely that the more Rome 1568-1640
ID de tableau:: 76284
Judith with the head of Holofernes Date Deutsch: um 1530
Medium Deutsch: Öl auf Lindenholz
Dimensions Deutsch: 87 x 56 cm
cyf 1472-1553
German
Lucas Cranach Locations
ID de tableau:: 79476
Judith with the Head of Holofernes 1620(1620)
Medium Oil on canvas
Dimensions Width: 116 cm (45.7 in). Height: 139 cm (54.7 in).
cyf Italian Baroque Era Painter, 1577-1621
(1614-1669), was a Dutch Golden Age painterAccording to Houbraken, Joost van den Vondel made a poem about him.
According to the RKD he became a master in the Antwerp Guild of Saint Luke in 1646 and worked on the city hall of Nijmegen and the Amsterdam City Hall.
ID de tableau:: 96640
Judith with the head of Holofernes oil on canvas
Dimensions 115 X 125 cm
cyf (1614-1669), was a Dutch Golden Age painterAccording to Houbraken, Joost van den Vondel made a poem about him.
According to the RKD he became a master in the Antwerp Guild of Saint Luke in 1646 and worked on the city hall of Nijmegen and the Amsterdam City Hall.
Nicolaes van Helt Stockade (1614-1669), was a Dutch Golden Age painterAccording to Houbraken, Joost van den Vondel made a poem about him.
According to the RKD he became a master in the Antwerp Guild of Saint Luke in 1646 and worked on the city hall of Nijmegen and the Amsterdam City Hall.
Judith with the head of Holofernes
